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Workshop Title
Introduction to Abstracts - Inspiration and Creative Expression
Level
  • Beginner
  • Beginner (with some experience)
  • Intermediate
Medium
Acrylic
... Other medium:
Modeling paste, textural elements.
Subject / Focus
Techniques for initiating and completing abstract paintings
Class Description
Non-representational abstract painting is an exciting way to create with freedom, according to your own interpretation and feelings, rather than representing actual objects. We will explore ways to kick-start an abstract and use line, shapes, colours, textures and gestural marks to achieve exciting compositions.
About the Artist
Marianne was born in England but spent much of her childhood in Malaysia. The stunning scenery and abundance of exotic animals and plants heightened her love of nature and keen interest in drawing and painting. As a teenager, her artwork was selling in local galleries and department stores. Marianne settled in Canada in 1980 and lives in Schomberg, Ontario.

As a full-time artist and a sought after art instructor Marianne is never without her sketchbook or camera, always looking for new subject matter for her stunning closeup paintings of flowers, ethereal landscapes and abstract images. Marianne also enjoys taking on commissions of subject matter that she may not otherwise paint. Some of these have been commissioned for publishing purposes and her work has been licensed for Giclée reproductions, needlepoint designs, greeting cards and fine porcelain.

Marianne’s art education in England has been furthered by studies at The Haliburton School of the Arts and courses and workshops with many respected artists.

Marianne’s work has been exhibited in many juried exhibitions in which she has received numerous awards. The most recent are three Best in Show awards, Best Watercolour in Show, The Franklin Carmichael Award, The Marianne Crone Award, 2nd prize in the COAA Juried Show, Juror’s Choice, Honourable Mentions and several People’s Choice awards.

Her work can be found in private and corporate collections in Canada, U.S, and around the world.
Instructor phone
(905) 939 7007
Instructor Email
 

Supplies Students Should Bring:

Paint / art media
Any consistency of paint can be used. A combination of fluid and soft or heavy body is useful. Colour choices will be your own so bring any colours that you like.

Suggested most important colours:

Magenta, Deep Magenta or Alizarin Crimson
Cadmium Red Medium Hue or Pyrole Red
Primary Yellow or Cadmium Yellow Medium Hue or Hansa yellow Medium
Ultramarine Blue or Primary Cyan
Mars Black or Carbon Black
Titan Buff
Titanium White – you will need lots of this

Suggested optional colours:
Paynes Gray
Quinacradone Nickel Azo Gold
Quinacradone Burnt Orange or Burnt Sienna
Burnt Umber
Red Oxide
Dioxazine Purple or any other purple or mauve
Sap Green or Chromium Oxide Green
Cadmium Orange Hue or Pyrole Orange
Cobalt Teal or Pthalo Torquoise

MEDIUMS
Fluid Acrylic Matte Medium only needed for thinning heavy body paint
Acrylic matte gel for applying mixed media
Modeling paste. Any other texture mediums - pumice gel, granular medium and/or clean sand
Any items you may want to apply in week 2 - netting, string, leaves or collage items.
Art Surface / Support
Primed stretched canvases or canvas boards 16x20 to 30x30. Bring 3 or 4 in different sizes.
Cheap watercolour paper for experimentation. Small sketchbook or scrap white paper, notebook, pen and pencil
Supplies and Tools
Synthetic acrylic brushes
Essential is a 2 inch flat
1/2”, 3/4”, 1” brights (short flat)
No 4 or 6 round or 4 or 6 rigger
Palette knives and any other tools such as paint scraper, brayer, squeegee, old fork
Water-soluble pencils and blackboard chalk
Photos with colours/shapes that appeal to you stick, etc.
Reference materials
Bring photos with colours/shapes that appeal to you (no detail needed) or old magazines to cut photos from (any topic).
Misc
Colour Wheel (Quiller or CMY are the best)
Thin vinyl gloves
Plastic containers for water
Paper towel and old rags or shop cloths (blue roll from Canadian Tire)
Spray bottle
 

Materials Instructor Will Bring:

Materials the instructor will provide
Armeture sheets
 

Workshop Outline: Complete boxes accordingly (as noted under each box)

Session 1
Discussion on how the principals of design, colour, composition and values apply to abstracts.
Choosing a design armature. Deciding on a colour scheme.
How texture, collage, objects can be incorporated.
Marianne's demo.
Drawing out the basic design, laying in the foundational paint. Hard and soft edges, layering and glazing.
Adding interest with line, shapes, gestural marks, texture.
Using intuition, feelings and spontaneity to complete the painting.
Evaluation and finishing touches.
Demo - how to apply modelling paste as a base for next week's painting.
Time permitting - friendly critiques.
Session 2
Colour harmony and contrast.
Simplifying the design
Using exciting and harmonious colours
Painting over texture - different techniques Placing large areas of colour and interesting marks, shapes, etc. to complete the design. Composition, connecting shapes values and harmony.
Incorporating collage elements or objects if desired.
Completing the painting and finishing touches.
Friendly critique.
 

Office Use - Workshop Booking

Year of booking
2025
Month of booking
10
 

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